Magazine > Music
The Weakerthans’ Liturgy of the Other Hours
Magazine > Music
Larry Norman’s Street Fighting Gospel
Larry Norman passed away last February. He's been called the Father of Christian Rock, a burden he refused to carry. “I think the blacks invented it about 200 years ago." READ MORE >
Magazine > Music
Radiohead: Together in the Alone
Through their music, Radiohead communes with everyone who's ever been tempted to despair in a world where God seems absent READ MORE >
Reviews > Music
Wilco frontman takes a more direct lyrical approach on striking new album
“...alienation seemed to be the point on Wilco’s overly arch art-rock projects Yankee Hotel Foxtrot and A Ghost Is Born, but on Sky Blue Sky Tweedy reaches out from his solitude in hopes of meeting his listeners—both the woman in the song and the strangers buying his CDs—face-to-face… The album’s title track contrasts our ‘rotten …“...alienation> READ MORE >
Reviews > Music
Dark Star: Why Amy Winehouse is not just a celebrity train wreck
“…she's a romantic poet of the train wreck… Amy Winehouse is a genuinely troubled soul; the songs on Back to Black chronicle her tumultuous relationship with Fielder-Civil, and ‘Rehab’ is reportedly something close to reportage, a more or less autobiographical account of her record company's efforts to get her into alcohol-addiction treatment back in 2005. But one wonders if Winehouse would have turned into quite such a mess had it not proved so fruitful for her music… If indeed Sunday night's Grammy triumph is the start of true comeback, this talented singer-songwriter may find herself facing something of an existential career crisis... READ MORE >
Reviews > Music
REM’s Comeback
"…for a supposed comeback attempt, R.E.M. doesn't seem desperate to be loved here. Much of Accelerate actually sounds fired-up and angry: ‘Living Well Is the Best Revenge’ is an aggressive opening salvo, the oblique narrative of ‘Mr. Richards’ finds Stipe at his most effectively political, and the gritty, double-speed ‘Horse to Water’ is the album's most self-critical song… If it isn't able to recapture the post-punk energy of Reckoning, the political fury of Life's Rich Pageant, or the epic scope of Automatic for the People, the album, at the very least, finds the band playing to its strengths rather than attempting to explore an increasingly thin artistic mythology. That alone justifies Accelerate's positive buzz, even if the album doesn't quite support the magnitude of it.” READ MORE >
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