Through His Eyes: Stations of the Cross

For centuries... many stations were crowded with Roman soldiers and jeering or appalled onlookers, perhaps set against someone’s impression of first-century Jerusalem. Eric Gill’s 1918 stations, carved in shallow relief for Westminster Cathedral in London, pointed in a new direction. The figures were few and without background; the compositions were simple and formal, not theatrical. Rather than dictating an emotional response, the stone panels left space for the devotee’s own thoughts... Don Meserve, a fervent admirer of Gill, works within this contemporary current...'What strikes one from the outset is the absence of the figure of Christ — the perplexing absence of the protagonist himself.'”